毫无疑问,湖南卫视的《超级女声》是去年最有影响的电视节目,也被《新周刊》评为年度电视秀。这个节目没有什么装腔作势之处,有的是实实在在的梦想和实实在在的歌声,比起大台故作深沉的节目多几分生气和活力。孔庆翔的影响力让中国的电视业开了窍,让普通人站到舞台上展示自己的确是个不错的主意,而且在亚洲卡拉OK向来就流行,从来不乏追捧者。这个将自己的快乐建立在他人的痛苦之上的游戏一方面是无伤大雅,另一方面却也让人梦想自己就是歌星。在一向不敢轻易表露自己,不敢“秀”自己的亚洲社会,这种唱歌的游戏的确是最好的表露和展现自己的机会,被日常生活压抑的“狂气”、自己想象的“才气”、自我张扬的“英气”都在这种游戏中表达了出来。其实,《超级女声》的好 There is no doubt that Hunan Satellite TV’s “Super Girl” is the most influential television program last year and was also named “New Weekly” as the annual TV show. There is no place for this program. Some of them are real dreams and real singing voices. They are somewhat more angry and energetic than Datong’s prettiest and deeper programs. Kong Qingxiang’s influence has made China’s television industry open. It is indeed a good idea for ordinary people to stand on the stage to show themselves. In addition, karaoke has always been popular in Asia. This game, which builds his happiness on the pain of others, is harmless on the one hand, but it also makes one dream that he is a singer on the other. Having never dared to easily reveal itself and dare not “show” its own Asian society, this singing game is indeed the best opportunity to show and show itself, the “madness” suppressed by daily life, and the “talent” of imagining itself. The “Britishness” of self-advocacy is expressed in this game. In fact, the “Super Girl” is good