由于汉字表意及其书写的文化源远流长,士大夫文人长久浸淫其中而不察,但其思维表意方式及其视觉习惯和趣味已在潜移默化中为其所塑造,因此汉字表意及其书写性线条的笔墨趣味,在相当大程度上潜在地参与建构了中国画理论的核心理念——传神。 Because of the long history of Chinese ideographs and their writing, Scholar-official literati have long been immersed in them without being aware of them. However, their mode of thinking, their visual habits and interests have been shaped by their subtle influences. Therefore, the ideographic expression of Chinese characters and their written lines Interest, to a considerable extent potentially involved in the construction of the core concept of Chinese painting theory - vivid.