论文部分内容阅读
中国美术馆为纪念吴昌硕诞辰170周年而举办的“大道传薪·金石为开”展览,如同一部电影。毋庸质疑,吴昌硕是这出大戏的主角。但随着对展览的深入品读,观众会发觉另一主角浮出水面,他就是齐白石。吴昌硕去世时(1927年)齐白石63岁,正处于衰年变法初见成效的时候,但远未达到巅峰。吴昌硕的意义在于轰轰烈烈地开启了一个新时代(20世纪的中国花鸟画),而
China Art Museum to commemorate the 170th anniversary of Wu Changshuo and organized by the “Avenue Biography Stone ” exhibition, as a movie. Needless to say, Wuchang Shuo is the protagonist of this drama. But with an in-depth reading of the exhibition, the audience will find another protagonist surfaced, he is Qi Baishi. When Wu Changshuo died (1927), Qi Baishi was 63 years old and was at a time when the declining years of change came to fruition, but it was far from its peak. Wu Changshuo’s significance lies in the vigorous opening of a new era (20th century Chinese bird painting), and