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唐宋以来,艺术家们创造了多种多样的线描形式,为了便于研究和学习,后人把它归纳为十八种,称做“十八描”法——“铁线描”,(图1),“高古游丝描”(图2),“柳叶描” (图3),“减笔描”,“行云流水描”, “曹衣描”,“琴弦描”,“蚂蟥描”, “钉头鼠尾描”,(图4),“橛头钉描”,“战笔水纹描”,“枯柴描”,“蚯蚓描”,“橄榄描”,“折芦描”,“枣核描”,“竹叶描”,“混描”,等等。清代王嬴还做了“十八描”图例。这些描法名称,主要是说明线条形象的不同变化,其中有些描法极少在实际绘画中实用,有很大的形
Since the Tang and Song dynasties, artists have created a variety of line drawings. In order to facilitate research and study, the descendants classify them into eighteen kinds, which are called “eighteen strokes” - “wire drawing” (Figure 2), The Willow Leaf (Figure 3), The Subtraction of Lines, The Legend of the Cloud, The Sketch of Cao Cao, The String of the Strings, “,” Head and tail tail “, (Figure 4),” Head and head nail sketch “,” War Pen brush water “,” Chai Chai “,” Earthworm “,” Olive description “ ”,“ Jujube nuclear description ”,“ bamboo ”,“ mixed ”, and so on. Wang Qiu Qing Dynasty also made a “eighteen strokes” legend. These tracing names, mainly to illustrate the different changes in the line of the image, some of which are rarely practical in the practice of drawing, there is a large shape