自古诗画不分家,“诗中有画,画中有诗”一直是我国古代文人墨客所推崇的至高境界。然而纵观盛唐的艺术领域,诗歌领域“诗圣”“诗魔”“诗仙”比比皆是,绘画领域却单单有一个“画圣”——吴道子,在庙堂上,其是中国历史上唯一一个被官方推崇至极的大师:当权者下诏要求其“非有召不得画”的国手;民间,画工们更是将其奉为“祖师”。这足以证明吴道子绘画技艺的独步古今。吴道子开创了对人物画进行写意的作画方式,创造了书写性线描和淡彩 Since ancient times, poetry and painting are not divided into families, “There is a painting in the poem and a poem in the painting ” has always been the supreme realm espoused by ancient Chinese literati. However, in the field of poetry of Tang Dynasty, there are many poems in the field of poetry, such as poetry, poetry, poetry, poetry, In the temple, it is the only official in the history of China that has been extremely respected by the authorities: the power of state authorities require them to “draw non-summonses”; civilians and painters regard them as “patriarchs” ". This is enough to prove Wu Daozi’s unique artistic techniques. Wu Daozi created the portrait painting of the freehand painting style, creating a writing line drawing and color