画院版画与学院版画均为中国当代版画史上的主流版画、精英版画,但近年来,画院由于缺乏学院学生扩招规模扩大的优势,加之面临改制的压力,编制紧缩,创作队伍老化而后继乏人。尤其在西风东渐,现代主义艺术风靡九州之际,一些画院画家有落伍之感,改弦易辙赶潮流又缺少学院年轻师生那样的现代观念与知识结构;一以贯之坚守传统又担心被视为保守,一度困惑彷徨,这是使画院版画式微的主体因素。但是,画院版画在过去与当下都有辉煌的业绩,上世纪 In recent years, the academy has been facing the challenge of restructuring due to the lack of expansion of college students’ enrollment and the tightening of compilation and aging of the writing team. Especially in the east of the westerly wind, where modernist art became popular in Kyushu, some painters in the academy have the feeling of becoming outdated, changing the course and lacking the modern concepts and knowledge structures like the young teachers and students in the college. Once they persist in the tradition and are worried about being regarded as conservative, they once perplexed Imitation 徨, this is the main reason for the decline of the Academy of Fine Arts. However, the painterly prints have a brilliant performance in the past and present, the last century