过去,我们只知谈论无花果,今天,才开始关注无果花。相比而言,无花果比无果花的命运更好一些,无花果再不济也还能拥有结出果子来的喜悦,而无果花呢,即使它再美丽也只能落得没有子实的尴尬。也许,这就是年轻的编剧王甦,想要通过舞台告诉我们的一个“植物学”方面的道理。对于年轻人来说,作为生命现象的无果花,到底是一个喜剧呢,还是一个悲剧?抑或只是悲喜参半,悲喜交 In the past, we only talked about figs, today, began to pay attention to fruitless flowers. In contrast, the flesh is better than the non-fruit floriculture, the friable fig also also has the joy to bear the fruit, without tweed, even if it is beautiful and can only come to no sub-embarrassment. Perhaps this is what the young screenwriter Wang Su wants to tell us through the stage a “botany” truth. For young people, fruitless flowers as a phenomenon of life, in the end is a comedy, or a tragedy? Or just mixed tragedy, sadness and happiness