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写生,中国古来有之,古代画家们每见到好景、好物,描摹下来为日后创作所用,但没有人把写生当成作品来画。直到上个世纪的下半叶,印象派画家们才把画架搬到室外,在阳光下完成作品,完成对自然的创作。在此主要从对景写生与创作入手,充分剖析阳光、透视、色彩、载体等诸多绘画因素对写生的影响,从实践过程与意义上分析出中国画写生与创作的独特艺术构思。
Sketching, ancient China has always been, ancient painters have seen every good scenery, good things, depicting the use for future writing, but no one to sketch as a work to draw. It was not until the second half of the last century that Impressionist artists moved the easel outside to finish work in the sun and complete the creation of nature. This article starts with the sketch creation and creation, fully analyzes the influence of many painting factors such as sunshine, perspective, color, carrier and so on, and analyzes the unique artistic conception of Chinese painting sketch and creation from the practical process and significance.