本世纪以来,反映论文艺观的异军突起及其逐渐占据文坛的支配地位,乃是我国文艺理论和美学界的一大景观。众所周知,在我国古典文论和美学中,缺少反映论传统,何以到了20世纪,反映论文艺观能获得如此令人瞩目的发展呢?它是如何由萌发一步步走到主流地位上去的呢?作为一个 Since the beginning of this century, the sudden emergence of the art and literature and its domination over the literary world have always been a major landscape in China’s literary theory and the aesthetic community. As we all know, in our classical literary theory and aesthetics, the lack of reflection on the tradition of tradition, why the 20th century, reflects the literature and art can get such a remarkable development? It is from germination step by step to the mainstream status up? As a