这两年,新东方主义或是新中式风格成为最上得了台面的话题,这里面既有对中国传统文化在当代设计中的传承期望,也有商业上左右逢源的考量。很多设计师在如何创建具有中国文化基因的当代设计上,确实做了很多工作,尤其是在器物设计和生活方式的再现上。设计师以各种方式参与到茶室、设计品店、私人会所,甚至是酒店的创办与经营中,并期望以此来影响更多的人群。不过在这个过程中,也出现了岔路口,一部分人试图在当代恢复传统文人的精神境界乃至生活方式。专注对传统生活器物和生活形态的研究,并努力以新的方式再现于当前。另一部分人则努力避免陷入 In the past two years, New Orientalism or the new Chinese style has become the most topical topic. There are both traditional Chinese culture's inherited expectations in contemporary design and commercial considerations. Many designers did a lot of work on how to create contemporary designs with Chinese cultural genes, especially on the design of artifacts and the reproduction of lifestyles. Designers participate in teahouses, design stores, private clubs, and even hotel establishments and operations in various ways and expect to influence more people. However, in the process, there was a fork in the road. Some people tried to restore the spiritual realm and even the way of life of the traditional literati in the contemporary era. Focus on the study of traditional life objects and life forms, and strive to reappear in the new way. Others try to avoid falling into