在19世纪初兴起的东方题材绘画中,宗教题材占据很重要的部分。它以“真实性”为原则,对欧洲文艺复兴以来的古典主义宗教作品进行重新建构,力求还原真实的圣经故事,展现真实的圣地风貌。在故事性作品中,画家们摈弃了长久以来西方绘画对此类题材的本土化想象;在风景类宗教作品中,他们更是完成了前人没有也无法进行的精密的考察研究。本文通过对具体作品的比较分析,试图从整体上阐述这样一个艺术创作现象。 Religious themes make up a significant part of oriental themed paintings that flourished in the early 19th century. Based on the principle of “authenticity”, it reconstructs the classical religious works since the Renaissance in Europe and seeks to restore the true story of the Bible and show the true holy landmarks. In the story works, the painters abandoned the long-standing Western imagination of such themes; in the landscape religious works, they finished the precise study that the predecessors did not and could not carry out. Through comparative analysis of specific works, this article attempts to elaborate on such a phenomenon of artistic creation as a whole.