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在今年《中国戏剧》第2期上,我写了一篇批评《徽州女人》(以下简称《徽》)的文章,但觉得还没有彻底地表达我的思想,即它如此张扬这样一个“好女人”,无疑给当代刚刚开启的、呈开放态势的女人的心灵之门重新刷上一道封条。我深切感到把“徽州女人”当作理想人格来塑造自我的
On the second issue of this year’s Chinese drama, I wrote an article criticizing the “Huizhou woman” (hereinafter referred to as the “emblem”) but felt I had not yet fully expressed my thinking that it should publicize such a “good Woman ”undoubtedly refreshed the seal of the door of the soul of a woman in an open situation that has just been opened up in the present age. I deeply feel that the “Huizhou women” as an ideal personality to shape themselves