一汉大赋有多种称呼,既可被称作体物大赋,也可被呼为散体大赋,前者重在强调铺张描写之功,以与诗划境,后者则重在韵之有无,以与骚体区别。但实际上,这两点并不足以概括汉大赋在文体形式上的所有特征,因为汉大赋虽然大多重视摹写物象,但在作品的整体构思和结构上却更强调因事立篇,具有浓厚的叙事意味。以司马相如的《子虚》、《上林》和杨雄 A Han Dynasty Da Fu has a variety of titles, both can be called physical Fu, can also be called bulk Fu, the former emphasizes the delineation of the descriptive work, with the poet, and the latter focuses on rhyme Whether or not, in order to distinguish with Sao body. However, in fact, these two points are not enough to summarize all the characteristics of Han Yufu in stylistic form. Although most of Han Da-fu emphasizes the phenomenon of depicting objects, his overall conception and structure of the works emphasize the fact that there are Strong narrative means. To Sima Xiangru’s “sub virtual”, “Shanglin” and Yang Xiong