最近看了北京京剧院三团演出的《司马迁》和中国戏曲学院实验京剧团演出的《对花枪》后,禁不住为京剧老旦行当的新发展而感到兴奋。综观老旦行当解放前后的发展,确有极大的变化,一大批“青出于蓝而胜于蓝”的青年女演员相继涌现了出来。我想先从《杨门女将》中的老旦说起,戏里的柴郡主,儿子杨宗保已经五十岁,自己岂可小于六十,按说应归于老旦行,但有百岁高龄的婆婆在先,还有五位嫂嫂居中,柴郡主只好以青衣扮。这说明,老旦与青衣之间有一段年龄距离的明显空白。他们的唱、念、表演以及扮相、服饰均有严格界限,无疑给不同年龄人物的表演带来许多局限。而新编历史剧《司 Recently I saw the “Sima Qian” performance of the Beijing Opera House’s three troupes and the “fireworks” performed by the experimental Beijing Opera Troupe of the Chinese Opera Academy. I am so excited about the new development of Beijing Opera. Looking at the development of Laodan before and after its liberation, there have indeed been tremendous changes. A large number of young actresses who have “emerged out of the blue and outperformed the blue” have emerged. I would like to start with Lao Dan in Yang Men’s Will. When Yang Zongbao, son of Cagayan Zhuang and his son in the play, is 50 years old, how much less should he be less than 60? It should be attributed to Lao Dao, but a hundred-year-old mother-in- First, there are five middle-aged sister, Cheshire Lord had to dress up in blue. This shows that there is a clear gap between Lao Dan and Tsing Yi for a certain age. Their singing, reading, acting, costumes and costumes have strict boundaries and undoubtedly bring many limitations to the performance of people of different ages. The new historical drama "Secretary