新世纪以来,中国的戏曲艺术观念发生了重要的改变。如同人们熟知的那样,当代中国文艺理论与批评的主体是文学评论,文学评论在文艺评论领域里占据着特别强势的地位,主导着文艺评论界。而各艺术门类之间面临许多共通的现象与问题,又不是文学评论方式或文 Since the new century, the concept of Chinese opera art has undergone significant changes. As is well known, the main body of contemporary Chinese literary theory and criticism is literary criticism. Literary commentary occupies a particularly strong position in the field of literary criticism and dominates the literary critics. However, there are many common phenomena and problems faced by various art genres, not the literary criticism