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汪观清《秋江牧归》汪观清(1931.2.21-),安徽歙县人。笔名耕牛莘堂主,自幼酷爱丹青,后到上海拜师学画,从事连环画创作30余年。历任上海十一联出版社美术编辑,新美术出版社专业连环画创作员,上海市美术家协会理事,上海市文史馆馆员,上海人民美术出版社专职画家。现为中国美术家协会会员、安徽新安画派研究会顾问、黄山画院名誉院长。《秋江牧归》描绘的是在草木繁盛的秋天,少女戴着斗笠,手执柳条,赶着两头大水牛在江畔边准备回家,小水牛跟母亲舐犊情深的情景。画面质朴奇崛、返璞归真,富有田园气息,带观者进入一种悠闲的生活环境中。汪观清的绘画内容源于人们生活最底层的素材,他创作的牛是典型范例。他的童年和牛群一起长大,牛的一举一动成为他笔下最好的
Wang Guanqing “Qiujiang animal husbandry” Wang concept of Qing (1931.2.21-), Anhui Pixian. Name pennant Xin Xin Tang childhood youth love Danqing, after he studied painting in Shanghai, engaged in comic creation for more than 30 years. Former Shanghai Lianlian Publishing House Art Editor, New Art Publishing House professional comic book creator, Shanghai Artists Association, Shanghai Museum of History librarian, Shanghai People’s Fine Arts Publishing House full-time painter. Is currently a member of Chinese Artists Association, Anhui Xin’an Painting School consultant, Huangshan Academy honorary president. “Autumn River grazing” depicts the prosperous autumn in the grass, girls wearing hats, hand wicker, catch two buffaloes in the river bank to prepare to go home, a small buffalo with his mother Calf affectionate situation. Quirky picture of the screen, back to nature, full of pastoral atmosphere, with the viewer into a relaxed living environment. Wang Guanqing’s painting content from the bottom of the people’s material, he created a typical example of cattle. His childhood grew up with the herd, the cow’s every move became the best of his pen