我是写小说的,写散文和随笔确不是自己的强项,就好像你会吹唢呐,但你未必吹得了竹笛或者葫芦丝。我写散文少,写随笔多。所以这么多的去写,就是想补充自己的文化积存和内涵,修养自己的文化情怀。我很幸运,生长在一个蕴藏着丰厚文化底蕴的风水宝地,天津真是一个养我生我的家乡。我很多感触是来自于这里,然后在这里升华提炼。比如我喜欢孙犁,我觉得他的语言很美,三言两语就能创造出一个个耐人寻味的意境,能在景致里写出一种朴实无华的心境,写出历史人文的兴衰故事,折射出许多人生的道理,以及丰厚的情感世界。现在人们阅读散文的视野宽了,就开始喜欢梁实秋和林语堂等的散文,他们是说人怎么活着,主要的感觉就是真实。我写散文和随笔就是想传 I’m writing novels, writing essays and essays, not really my strengths, it’s like you’re going to blow your nose, but you do not have to blow a bamboo flute or a cucurbit. I write less prose, write more essays. So so much to write, is to add their own cultural accumulation and content, cultivate their own cultural feelings. I am very fortunate to grow in a treasure house full of rich cultural heritage, Tianjin is really a place where I live my hometown. Many of my feelings come from here and then sublimate here. For example, I like Sun Li, I think his language is beautiful, a few words can create a thought-provoking mood, can write a plain mood in the scene, write the rise and fall of the history of human story, reflects many life Truth, as well as the rich emotional world. Now that people have read a wide field of essay, they begin to like essays like Liang Shih-ch’iu and Lin Yutang. They say how people live and the main feeling is that they are real. I write essays and essays just want to pass