在“四人帮”横行的日子里,任何小说、戏剧、诗歌,只要一涉及爱情这个主题,便是大逆不道,便是什么“黄色”作品,不许写,也不许看。十九世纪的外国作品,都被当成诲淫诲盗的媒介;中国的古典小说,那更不用说了。即使是《渡江侦察记》这类的 In the “gang of four” rampant days, any novel, drama, poetry, as long as a subject involving love, is outrageous, what is “yellow” work, not allowed to write, but also not allowed to see. Nineteenth-century foreign works have all been treated as media of misconduct; let alone classical Chinese novels. Even if the “crossing reconnaissance” such