年近古稀的高莽先生(1926—)说,他母亲长有一双勤劳而又温柔的手,始终慈爱地激励着他奋发向上。而从这位伟大的母亲身上,高先生承继了一双同样勤劳的手。在如今已是百岁人瑞的母亲的严格培育下,这双手终于转而神奇:纵横笔墨、恣肆汪洋,不但译出传神的苏俄文学作品,写出感人肺腑的散文,而且还画出一幅幅形象逼真的图画。先生一家四世同堂,挤在北京西郊紫竹院昌运宫一三居室里。且不说先生的译著,单是所绘制的外国作家肖像,即近百幅硬是接连不断地从这斗室里用中国传统绘画技法创作出来,且大多均有所绘作家的亲笔签名或题词。称之为当今中华画坛瑰宝,恐不为过。为了给众多的外国作家造像,高先生可谓呕心沥血,其间有许许多多有趣、感人的轶事。从本期起,本刊特辟《昌运宫画屋》专栏,介绍高先生挥毫泼墨、运用丹青的背景材料,或亦可为我国的外国文学园地增添一支独特的花卉。编者 Mr. Ko-Mang (1926-), a pale-old neighbor, said that his mother had a long list of hard-working and gentle hands and always kindly encouraged him to work hard. From this great mother, Mr. Gao inherited a pair of equally industrious hands. With the strict cultivation of the mother who is now a centenarian, the two hands have finally turned to magical things: vertical and horizontal writing and unbridled expanse of ocean, not only translate the expressive works of Russian literature, write touching and touching essays, but also draw a picture Vivid picture. Mr. a family of four generations, crowded in the western suburbs of Beijing Zizhuyuan Zhai Yun Gong one or three bedrooms. Not to mention the translation of Mr., the portraits of foreign writers alone are nearly 100 pieces drawn by this traditional Chinese painting technique from the dwelling, and most of them are autographed or inscribed by writers. Call it the gem of today’s Chinese painting, fear of over. In order to make statues for many foreign writers, Mr. Gao made painstaking efforts, during which there were many interesting and moving anecdotes. Starting from this issue, we have published a column titled “Chang Yun Gong Paintings” column, introducing Mr. Gao’s ink painting, using Dan’s background material, or adding a unique flower to our country’s foreign literary field. editor