在作家的眼里,文字不只是简单的书写符号,而常常是一种美丽的风景,一个奇妙的世界。古今中外的大作家无一不注重对文字的锤炼和运用。贾岛“两句三年得,一吟双泪流”所包含的辛酸,卢延让“吟安一个字,拈断数茎须”所吐露的苦衷,王安石“春风又绿江南岸”“绿”字敲定所费的琢磨,普希金向他的奶妈学习语言所表现的谦恭,福楼拜要求表现事物只能选最准确的“一句”“一词”的苛刻,都有力地说明了作 In the eyes of writers, writing is not just a simple writing symbol, but is often a beautiful landscape, a wonderful world. Ancient writers of all ages, both at home and abroad, pay attention to the use of words. The bitterness of Jia Yan’s “two sentences of three years, one tearful tears” and Lu Yanrang’s “Diane’s one word, cut off the number of stems and mustaches” revealed Wang Anshi’s “spring breeze and green bank” and “green”. After deciding on the expenses, Pushkin learns the courtesy of his language from his nanny, and Flaubert’s request to show that things can only be selected with the most exacting “sentence” and “word” is a strong indication of his work.