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明清时期,女性开始表现出群体性的、较为强烈的创作欲望。由于传统文学类型的话语权一直为男性控制,她们就另辟蹊径,通过弹词来宣泄无奈,发出自己的声音。女作家们在作品中塑造出一个个功勋卓著、近乎完美的女英雄形象,来寄托自己无法实现的理想。这些女英雄看似风光无限,但背后却是无尽的悲凉。本文就以《再生缘》《笔生花》《榴花梦》等几部弹词作品为例,解读女英雄们悲剧性人生。
During the Ming and Qing Dynasties, women started to show group and strong desire for creation. Since the traditional literary type of discourse power has always been masculine, they set out to find another way to give vent to their frustration and make their own voices heard through the storytelling. In the works, the female writers create an almost heroic image of heroine and heroine, in order to pin their dreams that they can not achieve. These heroines seem seemingly beautiful, but the back is endless sadness. In this paper, we take several storytelling works such as “Rebirth”, “Penshenghua” and “Liuhua Dream” as examples to explain the tragic lives of female heroes.