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在福建中部大田县文江乡朱坂村和永安市槐南乡槐南村,至今仍流传着宗族作场杂剧。明景泰(1450-1456)以前,朱坂村和槐南村分别属于尤溪县的四十七都和四十三都,两地作场杂剧属同一形态杂剧流行的产物,具有明显的同源关系。同时,它们作为宗族传承的古老戏剧形式,与当地宗族社会的信仰、文人创作以及伦理教化等都有密切关系,不仅具有诸多古杂剧遗存,而且带有浓厚的地域文化和民间色彩。本文着重从剧目、结构、人物以及文词等方面,对其艺术特色予以分析。
In Zhujian Village, Wenjiang Township, Datian County, central Fujian Province, and Huai’nan Village, Huai’nan Township, Yong’an City, there are still many religious ancestral portraits. Ming Jingtai (1450-1456) Previously, Zhu Sakamura and Huai Nancun belonged to Forty-seven and Forty-three cities in Youxi County respectively. Both of them used to be popular melodramas of the same genre and had obvious homology. At the same time, they are closely related to the beliefs of the local clan communities, their literati creations and ethical enlightenment as the ancient forms of drama inherited by the clans. They not only have many remains of ancient ancestry, but also have strong local culture and folk colors. This article focuses on the analysis of the artistic features from the aspects of the repertoire, structure, characters and words.