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现象与问题:现在书法之所以在社会上越来越边缘化,恰恰是因为很多人认为它难度太大,看不懂。作为一个欣赏者,怎样去读懂一幅书法作品的内涵呢?书法审美的基础到底是什么昵?作者观点:中国的哲学,过去人都懂,现代人要学习。什么是好的书法作品?好的书法作品看什么?就是看格调。这个既玄也不玄,格调、气息,懂书法的人一眼就看出来了,书法的品位高低最终就是格调的问题,说到底就是书法家胸怀的问题。
Phenomena and Problems: Nowadays, calligraphy is getting more and more marginalized in society precisely because many people think it is too difficult to understand. As a appreciator, how to understand the meaning of a calligraphic works? What is the basis of the aesthetic of calligraphy in the end? The author’s point of view: Chinese philosophy, people in the past know, modern people to learn. What is a good calligraphy? Good calligraphy to see what? Is to see the style. This is neither mysterious nor mysterious, style, atmosphere, people who understand calligraphy glance, the level of calligraphy is ultimately the style of the problem, in the final analysis is the calligraphist mind.