春柳社的《黑奴吁天录》是我国话剧的首次公演,但是,关于这次演出重复性的记述比较多,缺乏对原始资料的深入考证。事实上,我们耳熟能详的只是剧作的名字和它的显赫地位。本文以当时的海报、剧照及新闻媒体的报道为基本资料,通过对此次演出的多角度论证,展示了这部作品从选材、编剧、排练、宣传、到公演这一过程中接受的来自各种领域的刺激和影响。春柳社把文学、美术、音乐等各种表现手段结合在一起,营造了一种全新的戏剧空间,《黑奴吁天录》所代表的中国话剧的起点是相当高的。而且,可以认为,无论在剧本创作还是舞台表演上,为《黒奴吁天录》提供了更多重要启示和参考的不是原作《汤姆叔叔的小屋》,而是日本新派剧《响彻云霄》。 Chunliushe’s “Black Siren” is the first performance of drama in our country. However, there are many reports on the repetitiveness of the performance, and there is no thorough textual research on the original data. In fact, we are all familiar with the name of the play and its prominent position. Based on the posters, the stills and the coverage of the news media at that time, this article, through the multi-angle demonstration of the performance, shows that the works from the selection, screenwriting, rehearsing, publicity, Stimulation and impact of the field. Chun Liu She combined a variety of means of expression such as literature, fine arts and music to create a brand new space for drama. The starting point of Chinese drama represented by “Black Siren” is quite high. Moreover, it can be argued that it is not the original “Uncle Tom’s Cabin”, but the new Japanese drama “The Resurrection of the Sky”, which provides more important revelations and reference for “Black Sloth” in both scriptwriting and stage performances.