论文部分内容阅读
从1992年创作第一件作品《为人民服务》开始,庄辉的艺术一直持续关注个人身份和集体主义的关系。城市、农村、工厂不仅是他在首件作品中设置的三个场域,也成为他二十多年艺术创作的视觉重心。从工厂到城市,再从城市到农村,庄辉在三者的时空关系中穿梭游荡,探讨个人命运与社会变迁的种种问题。然而,近两年来,庄辉的艺术发生了一些具体的变化,艺术家的注意力渐渐由人群投向荒野,由社会转向自然。常青画廊正在展出的《祁连山系》,即呈现了庄辉的艺术转变的最新动向。在展览现场,庄辉用影像、绘画、装置搭建了一个与祁连山对话的空间。通过作品的呈现,庄辉将观众的视线和情感引向一个更为广阔、未知的自然世界。为了更好地理解“祁连山系”展览和庄辉近年的艺术变化,《画刊》特邀媒体人、策展人杨青与艺术家进行了一次深入的对谈。话题涉及庄辉艺术的方方面面,分两期刊登,以飨读者。
Starting from the creation of the first work entitled “Serving the People” in 1992, Zhuang Hui’s art has always been concerned with the relationship between individual identity and collectivism. The city, countryside and factory are not only the three fields that he set in his first work, but also the visual center of his artistic creation for more than two decades. From the factory to the city, and then from the city to the countryside, Zhuang Hui shuttle in the space-time relationship between the three to explore various issues of personal destiny and social changes. However, in the past two years, there have been some concrete changes in Zhuang Hui’s art. Artists’ attention gradually shifted from the crowd to the wilderness and from society to nature. Evergreen Gallery is showing the “Qilian Mountains,” which presents the latest artistic transformation of Zhuang Hui. At the exhibition site, Zhuang Hui set up a space for dialogue with the Qilian Mountain by using images, paintings and installations. Through the presentation of his works, Zhuang Hui leads the audience’s sight and emotion to a broader and unknown natural world. In order to better understand the artistic changes in Qilian Mountains and Zhuang Hui in recent years, an in-depth discussion was held between artist and artist invited by the magazine Pictorial Yang Qing. Topics related to all aspects of Zhuang Hui’s art, published in two phases, in order to readers.