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当代中国文坛,“70后”作家渐渐成为作家队伍的主体,在各个文学类型中,“70后”作家的写作实绩,渐渐为人侧目。其实想想,“70后”的作家,今天已四十有余,四十而立,这正是人生大出成绩的时候。英语文学中,在T.S.艾略特看来,一个人超过了25岁,其写作所背负的使命将会不再相同。何况四十岁呢!而在上世纪之交,“70后”作家的写作,最早被人关注,主要来自于诗歌领域。原于此,南方的批评家如谢有顺等,曾经认为当代中国文学,最有活力的部分在于诗歌这一块。
In the contemporary Chinese literary world, “post-70s” writers gradually became the main body of the writers' ranks, and among the various literary genres, the performance of writers of “post-1970s” writers gradually came to the fore. In fact, think about it, “70 ” after the writer, today has more than forty, forty and erect, this is the time of great achievements in life. In English literature, in T.S. Eliot's view, a person over 25 years old, the writing of the mission will no longer be the same. Not to mention the four-year-old too! And at the turn of the century, the writer of the post-1970s writing was first noticed mainly in the field of poetry. As a result, southern critics such as Xie You-shun and others once thought that the most dynamic part of contemporary Chinese literature lies in this piece of poetry.