I propose the methodology of the application of codes and conventions of abstract paintings into the digital cinema experiments and production.The cinematic applications of The King My Father share certain attitudes in creation, which are related to symbolism, surrealism, and expressionism in common art practice.This film is carefully shot in the turmoil of searching for the new oriental aesthetics in cinema.This cross-disciplinary cinematic experiment is the significant development of the narrative language in digital cinema.This experiments focus on the cinematic transformation of paintings as well as in the search of visual expression to expand cinematic language.I moved from Korea to Singapore, Japan, Taiwan, and China to explore Chinese language films, which has cultural, spiritual heritages of the East.Salvador Dalis "Surrealistic" techniques and symbolism are applied to create the imagery of unconsciousness.These techniques emphasize the bridges of ambiguity of reality and dream.