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一直以来,总觉得中国的儿童剧市场缺了点什么,看到小蔡的本子,豁然大悟,原来是舞台上除了童趣、童话,其实还应有历史的位置。这历史不是虚构,非戏说,也不单纯以伟人、名人为主角做英雄式的传记,而是以正史、信史为追求,以审慎谨严的治史态度,辅以合理的艺术夸张和虚构成分增强故事性,重现一段基本真实准确的历史脉络。所以《幼童留洋记》,小蔡说这是儿童剧,我个人更爱将之定位为儿童历史剧。
Has always felt that China’s children’s play market is missing something, see Xiao Cai’s book, suddenly realized, turned out to be the stage in addition to playful, fairy tale, in fact, there should be a historical position. This history is not fictional, non-joking, nor is it a heroic biography of a great man or celebrity. Instead, it takes the history and the history of the letter as its pursuit, its prudent and cautious approach to history, supplemented by reasonable artistic exaggeration and fictional elements Story, to reproduce a section of the basic real and accurate historical context. Therefore, “young children stay foreign Yang Kee,” Xiao Cai said that this is a children’s play, I personally prefer to be positioned as children’s historical drama.