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修拉(1859~1891),法国新印象派画家。《大碗岛上的星期日下午》是修拉的代表作品,描写的是巴黎附近奥尼埃的大碗岛上一个晴朗的日子,游人们在阳光下聚集在河滨的树林间休息。前景上一大块暗绿色调表示阴影,中间夹着一块黄色调子的亮部,显现出午后的强烈的阳光,草地为黄绿色。阳光透过了树林,而投射在草地上的阴影,被色彩强调得界限分明。赤色、白色的衣服、阳伞和草地都呈现出一种好像散发蒸气一般的黄色。色点彼此交错呼应,给人以一种装饰地毯的感觉。画上的人物连轮廓本身也都被小圆点弄得模糊不清了,似乎所有事物都是影影绰绰的。这幅画称得上是修拉的色彩科学实验中的经典作品。看修拉的画感觉很朦胧,好像人、静物、景物都置身于一个虚幻的世界中。远看整体感强,走近看,又发现了更多色彩。整个画面生动丰富,有变化。
Seurat (1859 ~ 1891), the French New Impressionist painter. Sunday afternoon on Bowl Island, the representative of Sera, depicts a sunny day on the island of Olivier near O’Neill in Paris, where visitors gather to rest in the sun among trees in the riverside. In the foreground, a large dark green hue represents the shadow, with a bright yellow tone in the middle showing a strong sunshine in the afternoon and a yellow-green meadow. The sun shines through the woods, while the shadows cast on the grass are clearly defined by their colors. Red, white clothes, parasols and grass all showed a yellowish color that seemed to be vaporized. Color spots alternate with each other, giving the impression of a decorative carpet. The characters on the screen, even the contours themselves, are obscured by the dots. It seems that everything is a movie. This painting is called a classic work in the science of color science. Seeing the painting of Sora feels very hazy, like people, still life, the scene is exposed in a fantasy world. Far from the overall sense of strong, approached, and found more color. The whole picture is vivid, there are changes.