哈尔滨话剧院演员彭彧嗄昀?靠着她对表演艺术孜孜不倦的勤苦探求,走出了自己的表演路子,形成了独具特色的表演风格。彭彧在舞台和银幕上塑造过一系列令人难忘的艺术形象?垂硌莸墓壑?常赞扬她把人物演活了,演绝了。如果说,在京剧界,荀派的艺术特点在于表演上的性格化,生活化,而且兼取青衣,花旦,刀马旦之长,那么,话剧演员彭彧的表演,某种程度上讲,也具有这样的特点。纵观她创作的几十个人物形象,都既有坚实的生活基础,又有独具匠心的艺术创造,不管哪一类角色,让她演来都是活生生,泼辣辣,一个是一个。我们先捡观众最熟悉的,《千万不要忘记》中姚母的形象创造为例。姚母在这出戏中不是最主要的人物, Harbin Theater actor Peng 彧  嗄 Yun? Rely on her tireless hard work to explore the performing arts, out of his acting path, forming a unique performance style. Peng Yong on the stage and the screen created a series of memorable artistic image? Descendants of the tomb? Often praised her performance of the characters, speechless. If we say that in the Beijing opera world, the artistic characteristics of the Xunpai School are the characterization and life style of the performances, and the combination of Tsing Yi, Huadan and Daoda Ma Dan, then the performance of the opera singer Peng Ju has, to a certain extent, Such characteristics. Looking at dozens of figures she created, both have a solid foundation of life, but also a distinctive artistic creation, no matter what kind of role, let her play is living, hot and sour, one is the other. Let us first pick up the most familiar image of the audience, “Do not forget,” Yao mother as an example. Yao mother in this drama is not the most important figure,