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发表在贵刊1992年11期彩色插页上的盆景照片《归乡行》给我的第一眼感觉便是作品主景榆树的造型风格极不统一。榆树主干与右侧枝二者态势一致:蓬勃向上,生意昂然,充满了自然生趣,是典型的大树型造型风格。然令人深感意外的是左侧临水一枝与主干的自然蓬勃向上的态势完全不同,显得极其呆板,缺少生气。究其原因,显然是造型风格(手法)的不同:主干属于自然式;而临水枝属于云片式。我以为临水这一枝是个败笔!解救的办法是:将临水一枝整个除去,效果会理想得多。
Published in your issue 1992 11 color insert on the bonsai photos “hometown” give me the first impression that is the main scene Elm’s main style is very uniform style. Elm trunk and the right side of both the trend of the same: vigorous, enterprising business, full of natural interest, is a typical tree shape style. However, what is quite surprising is that the left side of Shui Shui Branch is completely different from the natural thriving and upward trend of the main trunk. It is extremely rigid and lacks anguish. The reason is apparently the style of modeling (hand) of the different: the backbone belongs to the natural type; while the water belongs to the cloud-style. I think this one is a failure Linquan! Rescued approach is: a whole waterfront will be removed, the effect will be much better.