我们的每一个体,并非如同我们的语言所显示的字面含义那般不可再分,而我们一直指代自我的原始简单称呼yo,与蕴含着一个足够浑沌的整体概念密不可分,诸如渴望、记忆、理念、感受、言语,亦或是肉体的激情。通过分析这位建筑师的杰作,我们也能够更加接近于一场在这个嘹亮的第一人称代词,以及真实自我存在的复杂性之间进行的揪心纷争。在这项作品中,无论是“自我”这个意在强调个体完整性的高傲称呼如芒刺在背的真实事实,还是通过无情的批判,让过往的缘由在新的作业中灰飞烟灭,并通过所谓“个体”的建立而重新诞生差异,都得到了体现。然而,差异仅仅在切割过去的痕迹中方才得到展现,因而是真正向着新的历程敞开心扉, Each one of us, rather than being subdivided as the literal meaning of our language, we always refer to the primitive simple name of our ego, is inextricably linked to a holistic concept that contains a sufficiently chaotic spirit such as longing, Memory, ideas, feelings, words, or physical passion. By analyzing the architect’s masterpieces, we are also able to come closer to a heart-wrenching struggle between this polished first-person pronouns and the complexities of real self-presence. In this work, whether it is the self-styled “self” that emphasizes the integrity of an individual, such as the real fact of prickling, or the relentless criticism that causes of the past are ashes as they are in new assignments and the so-called The establishment of the “individual” and the birth of the difference, have been reflected. However, the differences have only been revealed in the traces of the past, so they really open their hearts to the new course,