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诗人金子光晴(1895-1975)曾游历中国、东南亚、欧洲,他的诗歌以象征的技法和大胆柔软的比喻表现强烈的生活及肉体实感为特点。由于《鲨鱼》(1937)等有批判意识的作品及其在二战后诗坛的特殊角色,战后他被日本左翼诗人逐渐神化为“抵抗/反战诗人”。这体现了战后日本诗坛在对诗人的战争责任的追讨过程中,左翼诗人缺乏批判的主体性,反映了相比战争时期的诗歌,战后派诗人更加关注如何开创战后诗歌的新模式等战后初期诗坛的状况。
The poet Jin Guang Guang (1895-1975) traveled through China, Southeast Asia and Europe. His poems, characterized by symbolic techniques and bold soft metaphors, show strong life and physical real feeling. After the postwar the Japanese left-wing poet gradually deified himself into a “resistance / anti-war poet” due to his critical works such as Shark (1937) and his special role in the post-World War II poetry world. This reflects the postwar Japanese poetics in the pursuit of the poet’s responsibility for the war, the left-wing poets lack of critical subjectivity reflects the poems compared to the war period, post-war poets pay more attention to how to create a new model of postwar poetry After the early post-war poetry status.