舞蹈是最古老的艺术形式之一,是整个人类生命状态的浓缩。舞蹈以感性认识为主导,是理性思维的表现形式。任何舞蹈作品一定要有理论模式的支持,然而目前很多学舞者、跳舞者、观舞者,尤其是教舞者却只强调舞蹈艺术的感性层面,而忽视了它的理性层面,这是对舞蹈的曲解和贬渎。拟从舞蹈的表演、创作、教学三个方面,来对感生与理性在舞蹈中的相互关系进行阐述,强调舞蹈的感性与理性必须协调统一,才能推动其发展。 Dance is one of the oldest forms of art and is the concentration of the entire state of human life. Dances are dominated by perceptual knowledge and representations of rational thinking. Any dance work must have the support of the theoretical model. However, at present, many school dancers, dancers and dancers, especially dancers, emphasize only the perceptual level of dance art and neglect its rational level, Dance misinterpretation and derogatory. From the aspects of performance, creation and teaching of dance, this article intends to expound the interrelationship between feeling and reason in dance, emphasizing that the perceptual and rational dance must be coordinated and unified in order to promote its development.