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萨特在他的《提倡一种处境剧》中明确地提出以“处境”作为戏剧中心问题的观点。在萨特创作的戏剧中,例如《禁闭》和《死无葬身之地》,在他看来他所感兴趣的是戏剧舞台上所表现出来的极限处境以及置身于这种处境中的人的反应。萨特在《提倡一种处境剧》一文中认为,无论是怎样伟大的悲剧,“都是以人的自由为主要动力”,戏剧所应展现的是人选择自身的自由,而这自由又与人的处境密不可分。“如果人在某一特定处境中真的是自由的,如果他真的在这个处境中并且通过这个处境选择自己,那么应该在戏剧中表现一些单纯的、人的处境,以及在这些处境中选择自身的自由。”处
Sartre clearly put forward his view of “situation” as a drama center in his “promotion of a play”. In Sartre’s plays, such as “confinement” and “death without a place to die,” what he seems to be interested in is the extent to which the dramatic stage manifests itself and the response of those in such situations . Sartre argued in his article “Promoting a Plays of Existence” that no matter what a great tragedy, “human freedom is the main driving force.” What the theater should show is the freedom for people to choose their own freedom. Human situation is inseparable. “If a man is truly free in a particular situation, if he really is in that situation and chooses himself through this situation, then he should show some simple human circumstances in the drama and choose among these situations Own freedom. ”Department