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我的散文观———思想性文字依然需要形象的张力在中国文学传统中,抒发胸臆和情怀的文学形式,无疑是首推诗歌。而散文一般只用于记事、状物、写景、论理、议文,或为人物立传等。因此,从一般意义上考量,古代作家在散文里的形象思维要素则明显弱化。即便如写出“大江东去,浪淘尽,千古风流人物……”(《念奴娇·赤壁怀古》)的伟大诗人苏东坡,当你读到他的散文名篇《石钟山记》时,你只能称赞他叙事的练达,状物的精妙,文字的准确,但绝对无法体验到更深刻的阅读感动。
My Essay View --- Ideological Writing Still Needs the Tension of the Image In the Chinese literary tradition, expressing the poetic and sentimental literary forms is undoubtedly the most important poem. The prose is generally only used for notes, objects, scenery, theory, text, or biography for the characters. Therefore, in the general sense, the elements of the image thinking of the ancient writers in the prose are significantly weakened. Even when you write about the great poet Su Dongpo such as “The Great East Going, The Longing, The Eternal Lovers ...” (“Nuhujiao · Red Cliff Nostalgia”), when you read his famous essay, “Shi Zhong Shan Ji,” you Only praised his practice of narrative, exquisite objects, the accuracy of the text, but absolutely can not experience more deeply moved by the reading.