无论古今中外,一个大画家所选择的表现形式绝不可能是偶然的,随意的,而一定是必然的(即非此不可的)。因为形式本身并非目的,仅仅是通达目的的道路,道路本身是没有意义的,是目的赋于了它的意义。换言之,目的是意义,只有能到达此目的的道路才具有意义。 选择表现形式的原因是在整体文化背景,(即民族的、社会的文化积淀),也在个体的文化差异。 It is impossible for any expression chosen by a great painter to be accidental, random, and inevitable (that is to say, no) at all times and in all countries. Because form is not an end in itself, it is simply a path to attainment of purpose, and the path itself is meaningless and the endings give meaning to it. In other words, the purpose is meaning, and only the path to that end is meaningful. The reasons for choosing manifestations are in the overall cultural background (ie ethnic and social cultural accumulation) as well as individual cultural differences.