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“标识性”是艺术创作无可争议的追求之一。然而时至今日,随着大量美国迪士尼和日本商业动画的涌入,中国本土的动画创作随之受到冲击,民族文化属性日益消减。为此戏曲动画如雨后春笋般崭露头角,再兴“探戏剧样式之门,创民族风格之路”的热潮。本文深入探讨了东、西方典型动画代表的动作表演特点,探索其舞台剧表演根源,从方法论的角度出发,在京剧这一“国粹”艺术形式中汲取养分,浅探其对动画角色表演带来的创作启示。
“Identity ” is one of the undisputed pursuit of art creation. However, up to now, with the influx of a large number of commercial animation in Disneyland and Japan, the animation creation in China has been impacted. As a result, the national cultural attributes have diminished. For this drama drama mushroomed emerge again and again, “explore the door of the theater style, creating a national style road” craze. This paper discusses in depth the characteristics of the action performances of the representatives of the East and West animations, explores the causes of the performance of their theatrical performances, draws on nutrients from the perspective of methodology and explores their performances on animation characters Bring creative inspiration.