关心国外文艺思潮和现代电影的人们都知道,法国是现代主义搞得最为活跃也是最为五花八门的国家之一.让—吕克·戈达尔,玛格丽特·杜拉、阿仑·雷乃等人更是举世公认的电影中现代派的重要代表人物。这次前去巴黎,我很希望能在这方面多得一点“感性知识”,更想得知这些人的创作现状。遗憾的是,由于种种原因,这一愿望只得到部分实现。在前面提到的法国外交部那次招待会上,我曾向那位司长请教:象戈达尔这些现代派代表人物的创作现状,他究竟有何看法?他的回答使我大吃一惊:“戈达尔?依我看来,最能保持法国传统的就算是他了。”我以为,我的耳朵失灵了;再不,就是那位司长毕竟是个官员,对电影问题不大在行。殊不知后来我又向法国电影资料馆馆长里欧—贝鲁先生请教时,所得到的竟是一模一样的答复! 就这样,带着困惑莫解的心情,我看了戈达尔的 People who care about foreign literary trends and modern films all know that France is one of the most dynamic and diverse countries in modernism. Jean-Luc Godard, Margaret Dura, Aron Reynai, etc. People are also recognized as the world’s major representative of the modernist movie. This time I went to Paris, I very much hope that I can gain a little more “sensual knowledge” in this respect and would like to know more about the present state of creation of these people. Regrettably, this wish has been only partially achieved for a variety of reasons. At the reception of the French Foreign Ministry mentioned earlier, I asked the director what he really thought of the present state of creation of such modernist figures as Godard and his reply surprised me: “Ge In my opinion, the most able to maintain the French tradition even him. ”I think my ears have failed; no, that is, after all, the director is an official, the film is not a big problem. Little did I know later I went to the director of the French Film Archive, Mr. Li Bei Lulu ask, was actually exactly the same reply! In this way, with a puzzled mood, I looked at Godard’s