傅谨先生的《新中国戏剧史》与王安祈女士的新作《当代戏曲》,使两岸学者在戏剧(曲)领域中的研究构成了有趣的对照,观者察其各自路径,可明鉴治学之殊异。王安祈女士是台湾戏曲界当下非常活跃的人物,不仅撰写剧评、主持剧团、教授剧论,同时还进行编剧创作,这就很自然地使读者在 Mr. Fu Jin’s “History of New Chinese Theater” and Ms. Wang Anqi’s new book “Contemporary Chinese Opera” make an interesting comparison between the scholars of the Mainland and Taiwan in the field of drama (song). When observers observe their respective paths, different. Ms. Wang Anqian, a very active figure in the current stage of Taiwan’s opera circles, not only wrote drama critics, presided over drama troupes and professorial dramas but also wrote screenwriter works.