“作品的风格处理”这个特殊现象的包容量很大,并且可以从各个不同的方面来加以考察。在这篇文章里,当谈及风格处理以及影片的风格时,我们首先考虑的是影片导演运用电影艺术作品表现力的一切手段构建而成的“银幕环境”。显然,导演对于影片 The special phenomenon of “stylistic work” has a large volume of inclusions and can be examined in many different ways. In this article, when it comes to genre handling and the style of the film, we first consider the “screen environment” that filmmakers build upon all the means of expressiveness of cinematic artwork. Obviously, the director for the film