詹姆斯·乔伊斯和D·H·劳伦斯不一样,他是一个在完满的、抽象的审美经验中追逐幻想的唯美主义者和艺术家。在《一个青年艺术家的画像》(1916)里,史蒂文·德达路斯在属于主要事件之一的一次谈话中说: “‘艺术家表现的美,不能在我们身上唤起激情,或者是一种纯粹的肉感。它唤起、或者应该唤起,或者产生,或者应该产生一种审美的静态平衡,一种理想的怜悯或者理想的恐惧,一种被我们称之为美的节奏所引起、延长和最终分解的静态平衡’。 ‘确切地说是什么呢?’林奇问 Unlike James D. Lawrence, James Joyce is an aestheticist and artist chasing fantasy in a perfect, abstract aesthetic experience. In a portrait of a young artist (1916), in a conversation that belonged to one of the major events, Steven Derdasl said: ’’ The artist’s performance of beauty can not arouse the passion in us, Purely sensual, it arouses, or should arouse, produce, or produce an aesthetic static balance, an ideal compassion, or an ideal fear, an event that is caused, prolonged, and eventually emancipated by the rhythms that we call beauty Static balance of decomposition ’.’ What exactly is it? ’Asked Lynch