论文部分内容阅读
思想家型的小说家鲁迅固然选取了以小说的方式进行思想启蒙,但一经进入小说世界,他的一切写作行动便会服从于小说的最高要义,即:让“启蒙”内在化于多样性的美感之中。进一步说,鲁迅小说在坚持写实主义的真实美感的前提下奇妙地将现代主义的峻急美感、古典主义的慢逸美感、后现代主义的戏谑美感并置在一起,由此确立了多样性、悖论性与限度性并存的中国现代小说的经典美感形态。
Although the novelist Lu Xun, a thinker, chose to enlighten himself by way of novels, once he entered the world of fiction, all his writing actions will be subordinated to the highest essential of the novel, namely, the internalization of “enlightenment ” in diversity Among the beauty. Further, under the precondition of upholding the real beauty of realism, Lu Xun’s novel marries a wonderfully beautiful modern aesthetic, the slow aesthetic of classicalism, and the banter beauty of postmodernism, thus establishing the diversity, Paradoxicality and Limitation Coexist in Classical Chinese Aesthetic Styles.