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20世纪,中国纪录片在最后10年补完西方纪录片80年的课程。从弗拉哈迪的“浪漫人类学”、维尔托夫的“电影眼睛”、格里尔逊的“教化模式”、伊文思的“左翼纪录思想、让·鲁什的”真实电影“到怀斯曼的”直接电影“.中国纪录片用录象完成胶片留下的作业。然而,随着市场经济的到来,纪录片退出了电影院,也似乎退出了人们的脑海。带着这个问题,笔者采访了中国电视艺术家协会纪录片学术委员会会长陈汉元先生。
In the 20th century, Chinese documentaries completed the 80-year Western documentary course in the last 10 years. From the poems of Fredhady’s ”Romantic Anthropology“, Vertov’s ”The Eye of the Film“, Glückson’s ”Enlightenment Pattern“, Evans’s ”Left-Wing Record Thought, Jean Rush “Real Movies” to Wiseman’s “Direct Films.” Chinese documentaries use filming to complete the work left behind by the film, however, as the market economy dwindles, the documentary exits the cinema and seems to quit people With this question, I interviewed Mr. Chen Hanyuan, president of Academic Committee of Documentary of China Television Artists Association.