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M·C埃舍尔创作过一幅木刻,画题叫《变形》。这是一幅围成圈、首尾相接的长画。你可以随着画面的逐级变化慢慢往前走,不知不觉回到了原处。也可以永远这样走下去,不停地离开原处又不停地回到原处。李其纲:埃舍尔的怪圈是一种深刻的悖论。怪圈的内在含义亦即在有限中包含无限的概念。它不仅仅是一个圈,而且是以一种有限的方式来体现无限的过程。我们今天的话题就可以从埃舍尔的怪圈开始。我觉得小说艺术的发展也在证明着一种怪圈的存在,这就是小说的形式局限(有限)与小说艺术(文体的变化)发展的无限可能性之间的悖论关系。小说的形式局限是毫无疑问的,就是说小说的文体
M · C Escher created a woodcut, painting entitled “deformation.” This is a long picture of a circle, end to end. You can slowly move forward with the gradual changes in the screen, unknowingly returned to the same place. You can always walk in this way, keep leaving the original place and keep returning to the original place. Li Qigang: Escher’s cycle is a profound paradox. The inner meaning of a circle contains infinite concepts in its limits. It is not just a circle, but an infinite process in a limited way. Our topic today can begin with the strange cycle of Escher. I think the development of the art of the novel also proves the existence of a vicious circle, which is the paradoxical relationship between the formal limitations (limited) of the novel and the infinite possibilities of the development of the art of the novel (the change of stylistic style). There is no doubt about the formal limitations of novels, that is to say, novels