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桂林抗战艺术主要指自1937年7月7日“卢沟桥事变”爆发至1944年9月桂林大疏散不久即沦陷的这七年时间里,发生在桂林的抗日艺术活动,包括艺术创作、展览、出版、社团、教育、理论研讨、文艺批评、中外交流等。戏剧、美术、音乐、舞蹈是当时活动最为广泛,内容最为丰富,影响最为广大,战斗力量最强的艺术样式。开展桂林抗战艺术研究,是抗战文化研究逐步深入的一种必然。研究其发展过程和发生原因,评价其在战时的作用和对当下文艺发展的启迪意义,分析其蕴含的先进文化内涵,有利于深化抗战文艺理论和学术研究的先进性和当代性,将抗战文化研究推向深入,造就新境。
Anti-Japanese War Art in Guilin mainly refers to the anti-Japanese art activities that took place in Guilin in the seven years from July 7, 1937, when the Incident of Lugouqiao Incident broke out and shortly after the evacuation of Guilin in September 1944, including art creation and exhibition , Publishing, societies, education, theoretical discussions, literary criticism, exchanges between China and foreign countries. Drama, art, music and dance were the most popular art forms with the most extensive activities, the most abundant contents, the most influential and the most powerful fighting forces. Carrying out the anti-Japanese war art research in Guilin is an inevitable result of the anti-war culture research. Studying its development process and its causes, evaluating its role in the wartime and its enlightenment significance to the current literary and art development, analyzing the advanced cultural connotation contained in it is conducive to deepening the advanced nature and contemporary nature of the anti-war literature and art theory and academic research, The study of culture has been deepened and a new situation has been created.