晚唐后,中国陶瓷生产开始突破“南青北白”格局,各地窑场互相借鉴、学习,寻求突破创新。至北宋,清雅风流的宋人对陶瓷艺术审美追求达到了登峰造极的地步。除了五大名窑外,全国各地还涌现出一批各具特色的窑场,如生产青瓷的耀州窑、龙泉窑,生产影青瓷的景德镇窑,生产彩绘瓷的磁州窑,生产黑釉瓷的吉州窑、建窑等,形成了陶瓷艺术发展史上“百花齐放、争奇斗艳”的局面。北宋时的扬州,从唐代“扬一益二”的国际大都会逐 After the late Tang Dynasty, China’s ceramic production began to break through the pattern of “South Green North White ”. The warehouses all over the country learn from each other and seek breakthroughs in innovation. To the Northern Song Dynasty, elegant and elegant Song of aesthetic pursuit of ceramic art has reached the peak. In addition to the five famous kilns, there are also a number of kiln farms with distinctive features throughout the country, such as the Yaozhou kilns and Longquan kilns producing celadon, the Jingdezhen kilns producing shadow celadon, the Cizhou kilns producing painted porcelain, the Jizhou producing black glaze porcelain Kiln, built kiln, etc., forming the history of ceramic art “all flowers bloom, contend for contests” situation. Yangzhou of the Northern Song Dynasty, from the Tang Dynasty “Yang Yiyi ” the international metropolis step by step