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初识钟蜀珩是在1987年隆冬.我替一部关于黄河的电视片撰稿,她替这个摄制组布置一间演播室.这是一个出乎我们想象的设计.偌大一面背景画(5×4M)黄河壶口作为主体形象从黄土高原的夹峙中冲决而下,黄土峁里,隐约透出战马的骨骸.背景画的前方,是三块各1.5×4M的隔板画,分别画着半坡的陶盆,龙门的佛头等等标志着黄河文明的文物.这三块隔板画,一左一右一斜侧,分别与背景画拉开一米不等的距离,同背景形成一定的屏蔽和夹角.没有复杂的色彩,只有黄色基调依明暗关系在一个色区里展开.在精心布置的灯光照射下,它们浑然一片,似乎是一个平面.然而它们确实是一个前后并置的空间.
I learned about Zhongshu Heng in the winter of 1987. I wrote a TV studio for the Yellow River, and she set up a studio for the crew. This is a design that goes beyond our imagination. ) As the main image of the Yellow River Hukou from the loess plateau in the folder Zhi in the rushed down, loess, looming revealing the horse’s bones background painting in front of three 1.5 × 4M each partition painted, respectively, painted half Slope pots, the head of the Buddha head, etc. marked the Yellow River civilization and cultural relics. The three partitions painted, one side by side oblique side, respectively, and the background to open a one meter distance, with the background to form a certain Shielding and angle. No complex colors, only the yellow tone in light and dark relations in a color zone in. Carefully arranged in the light of the lighting, they seem like a plane, but they are indeed a juxtaposed space .