本文以石鼓镇丧葬仪式音乐为研究对象,将这一民俗事象置入特定文化背景中,立足音乐本体,记录乐器与组合形式、记谱并分析音乐特点。本文尤其采用了民族音乐学的“再研究”法,以中国艺术研究院音乐研究所于20世纪50年代采访记录的《湖南音乐普查报告》为时空坐标,结合新一轮田野考察,探讨湖南民间吹打乐传承中的变迁与保留,比较两个时代、两种文本之间的变与不变。 This article takes Shuguang funeral ritual music as the research object, puts this folklore phenomenon into a specific cultural background, bases itself on music, records musical instruments and combinations, records and analyzes music features. In particular, the article adopts the method of “re-study” of ethnomusicology. Taking the “Hunan Music Census Report” interviewed by the Institute of Music of China Academy of Art in the 1950s as the space-time coordinate, in combination with a new round of field investigation, The changes and reservations in the inheritance of folk songs in Hunan are compared with those of the two ages.