在对潘玉良的大量研究中,多数都局限于从女性主义角度以及其人物画作方向进行研究,而忽略了潘玉良的静物创作。潘玉良一生留下4000多幅画作,大多数为人体创作。虽然潘玉良与常玉相比,静物创作不如后者,但在另一方面,仍然拥有自己独特的价值。本文旨在从潘玉良静物作品中选出早、中、晚期各一幅来进行比较研究,进一步细窥潘玉良的静物画风格和创作手法,以及不同时段的风格变化。 In a large number of studies of Pan Yuliang, most are limited to the direction from the perspective of feminism and his paintings, while ignoring Pan Yuliang’s still life creation. Pan Yuliang left more than 4,000 paintings throughout his life, most of which are created by the human body. Although Pan Yu-liang compared with Sanyu, still less than the creation of the latter, but on the other hand, still has its own unique value. This article aims to select one of the early, middle and late works from Pan Yu-liang’s still-life works to conduct a comparative study. Further study of Pan Yu-liang’s still-life style and creative techniques, as well as the changes of styles at different periods of time.